Experiential form
phase 1 :
HOW A SPACE MAKES YOU EXPERIENCE FORM .
THE DRAWINGS ARE BASED ON THE TEXT BELOW :
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What we saw after Raymond Mayo pulled the tape I tried not to think about. With its pedestal the statue was twelve feet high. Three spindly metal legs, ornamented with spikes and crosspieces, reached up from the plinth to a triangular apex. Clamped on to this was a jagged structure that at first sight seemed to be an old Buick radiator grille. It had been bent into a rough U five feet across, and the two arms jutted out horizontally, a single row of sonic cores, each about a foot long, poking up like the teeth of an enormous comb. Welded on apparently at random all over the statue were twenty or thirty filigree vanes.
Venus Smiles
Ballard, J. G.. The Complete Short Stories: Volume 1
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ITERATION 1
TRIED TO CREATE A SPACE WHERE SPIKES ARE SCATTERED ALL ACROSS AND ARE IN VIBRATING SPACE LIKE SONIC CORES
ITERATION 2
TRIED TO LOOK AT HOW THE A METAL VIBRATES WHEN STRIKES AT ANOTHER SURFACE. THE METAL HAS TAKEN THE FORM OF SPIKES
FINAL ITERATION
CREATING SPACE THROUGH MOTION OF METAL MOVING ALONG THE SONIC CORE. THE ROUGHLY BENT U IS DISPLACING , MOVING ALL ALONG THE PLAIN TO CREATE A NOTION.
